by Bibb Lane
He flies. He wears bright primary colors. He hurls small islands into space. He cannot tell a lie. He's death on film.
So there we were, minding our own business. We Metropolisians had managed rather well for several years without the Spandex Wonder, and we were starting to feel confident that we didn't need him anymore. Crime was down; we'd had very few catastrophic spacecraft-related accidents; Lex Luthor was reduced to swindling little old ladies out of their money; life was pretty damn good.
Then he came flapping back into town.
I couldn't help but think of those prophetic words spoken so long ago by the wise Gloria Gaynor:
And so you're back
from outer space.
I just walked in to find you here with that sad look upon your face.
I should have changed that stupid lock;
I should have made you leave your key,
if I had known for just one second you'd be back to bother me...
Oh, how right you were, sistah. He's back from his trip to see the asteroid-strewn hole in space where Krypton used to be, but he hasn't found any survivors of his race. Big surprise there. Do we not remember that Krypton exploded? Superman wasn't launched here as a baby because his home planet was going through a particularly nasty economic recession or a potato famine!
So he's really moody and depressed, and he becomes even more so when he discovers that the suddenly hot-and-sexy Lois Lane has moved on and gotten engaged to Cyclops from the X-Men. That hussie just moves around from one superhero's bed to another. Plus, she has a kid now who wheezes through all of his lines so that we are good and surprised when he turns out to be . . . well, I don't want to spoil the big, shocking twist. Of course, it's really more like a lame half-turn than a twist.
And to top it off, he seems to have ripped off every trick in the late Mr. Reeve's book of Superman characteristics. He walks in the same way; he talks in the same way; he's even managed to ape the way Reeve said "Lois" in a commanding yet nerdy nasal tone as Clark Kent. So why did we make this movie, again? I forget.
Maybe it was because of the super-cool, ubiquitous special effects we could cram into every frame. No, I don't think that was it. After all, aside from one mildly entertaining incident involving an improbable space shuttle malfunction (occuring with absurd coincidence just as ol' Supey gets back to town and involving Lois Lane from the get-go), there really isn't much action in this action flick.
The one shining beam of comedy gold in all this mediocre grey is Parker Posey. She is really up there giving it her all as Lex Luthor's chatty sidekick Kitty, and more than once I chuckled at her hilarious facial expressions and classic line delivery. Sadly, Ms. Posey could not hold the weight of this colossal bore on her petite little shoulders.
That's why this reporter came out of the theatre with a droopy posture and a shaky sigh. Superman is apparently forever doomed to be tragically lame at the box office. He'll never have the cool, edgy feel of the gothic Dark Knight, and Spiderman will always be a more identifiable superhero because the audience actually is sometimes afraid for his safety. Let's face it; when you're Superman, all you have to fear is Lex Luthor's inevitable inclusion of Kryptonite in whatever evil scheme he's cooked up. Once you've been punched and kicked a few times at close range and thoroughly humiliated, you'll fly away and regain your strength and somehow overcome your allergic reaction to the green crystal. Then you'll perform some enormous feat of strength and beat the everloving crap out of Luthor and his lackeys. Every time. Where are the high stakes in that tired old scenario?
It appears King Solomon was right: "There's nothing new under the sun." And though Superman may draw his power from the sun, it certainly cannot imbue him with the power of originality.
P.S. - See if you can find the not-so-subtle nod to The Da Vinci Code amongst all of the Christian allusions made in this film; it's blasphemoriffic!
Friday, June 30, 2006
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3 comments:
Yes, dr. no, that is exactly what I wanted. Call me old-fashioned, but I don't go to the cinema to watch superheroes struggle through tough emotional barriers and learn to cope with identity issues. I want things to explode! I want semi-trucks hurtling through the air and buildings being held up by one finger! Sure, the bullet to the eye was kind of cool, but there simply weren't enough moments like that. Save the chick stuff for movies like The Lake House and Sense and Sensibility. I want fireballs of doom burning my face off!
And yes, the Pulitzer-winning article sounded a lot like something a 3rd-grader would write for their school project. Maybe it was a slow news year...
The movie...? Eh. Not nuts about the Superman-as-deadbeat-dad turn. A little hard to stand for 'truth' after that ending, huh? And a little hard to stand for justice after having a one-night stand with a woman who you are incapable of having a real relationship with. (Not to mention that the sex with Supe probably would have killed her...) But well-made. *(sigh...)*
Umm...Happy Birthday?
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